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“...We can feel the vital rythm
of nature in each of her features.The dynamic of the brushstroke
produces a visual vibration,where a passionate temperament is perceived
and expressed in the impression and the gesture.The graphic expresses
the tremor of the foliage, where ease and spontaneity of expression
are shown when the artist captures the phenomenon of life flowing
in nature.Trees have a particular soul that get in touch with those
beings who believe and respect the harmonic plan of creation.”
Rosa Faccaro
September 2000
Argentine and International Art Critics Association
Member of the International Art Critics Association
“…Because Milagros Argüello is far beyond landscape,
she obviously starts with it to trascend it and search for another
inside proyection, a number of associations , sensitive angles trying
to reconsider definite green,ocher and violet –colored spaces,
to give a new expressive vibration.Her gardens,her ponds , her trees
encounters, acquire in such order a strange magnetisim…”
J.M.Taverna Irigoyen
January,1997
Member of the National Academic of Fine Arts
“… Though some of Milagros Argüello`s pictures
are definitively autumnal, spring sings and laughs, practices its
secret rites and sings. She is in loved with trees, plants and flowers,
and evokes them with a prodigious fidelity: they are not a photographic
portrait, she knows something more important: to capture their most
profound inside and their destiny on this land of ours that seems
to be determined on its annihilation ,without knowing that if such
a thing would happen, its most precious and radiant crown would
have been lost for ever…”
Cesar Magrini
Winter, 1995
“…The myth of forest and of the spirit
of forestry are felt in the beat of the brush, specially in the
expression.The blazing and whirling movement, show the shaking and
rhythmical blending.We can see the neo-baroque sign in her luminous
contrasts and in the sensation of space.The colour of material spreads
in endless ascensions;oil painting will be the chosen technique
for these pictorical rituals…”
Rosa Faccaro
Buenos Aires, December 1992
Member of the International Art Critics Association
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